Philippians 3

A lyrical and lovely setting of a text by St. Augustine which is both moving and authoritative, and is sometimes referred to as a resurrection prayer. The SATB setting and flowing piano accompaniment do

From the songwriters at Sovereign Grace comes this worship song of trust and commitment. Beautifully arranged for choir and piano, the anthem features an optional solo, and the choral parts are expertly

"Venite ad me; Come to me, all you who labor." Latin and English texts comingle in this almost chant-like anthem that opens with a cappella "alleluias." Occasional dissonances are quickly resolved in the

Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano

Opening with the words "Softly and tenderly Jesus is calling," this simple, sincere original offers a marvelous opportunity to feature a soprano or tenor soloist with your choir. The work ends as softly and

John Donne's sonnet Death, Be Not Proud is paraphrased and set as a concertato on the original tune SUSAN BETH with organ accompaniment. The middle verse is a cappella, and a descant crowns the

When life is changing and uncertain, fixing our eyes on Jesus brings comfort and hope. This text flows smoothly, allowing time for reflection. A beautiful cello and piano accompaniment supports the

Contemplative, heartwarming, and set in a simple folk-ballad style, Pepper Choplin explores the promise of eternal rest promised by Jesus to His followers: "O fly away home. Come and claim sweet heaven's

Joining a well-known hymn text with a melody from classical repertoire creates a heartfelt anthem touched with simple sincerity. The optional violin adds a bittersweet element, and the appearance of

"A grateful heart is what I bring, a song of praise, my offering." Composed for the small choir with accompaniment, this piece opens in unison with a memorable melody that can be sung by choir and

This anthem offers a sparkling tableau that brings a message of hope and assurance floating on the wings of song. Set in a "call and response" format, this highly descriptive octavo is quickly absorbed. The

Brimming with energy and acclamations of praise, this festive new setting of a classic hymn text will dazzle and delight the congregation. The piano establishes the rhythmic drive, introducing the

Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas

A sentimental reflection on the promise of heaven, this tender anthem is comfortably voiced for smaller choirs and easy to prepare for All Saints' Day or memorial services. Providing a reassuring vision of

Drawing from the book of Revelation, this anthem proclaims God's reign from the beginning to the end of time. The text inspires awe and reverence and will fill your choir and congregation with a sense of

Pairing Marty Haugen's hymn All Are Welcome with Ken Medema's song Come Build a Church, this choral setting is useful for building community in the house of the Lord. The instrumental

Opening and closing with a divisi choral fanfare, this festival anthem celebrates our church heritage, referencing saints both past and present. "Alleluias" provide a unifying thread in the otherwise

This striking adaptation from scripture foretells a future free from tears, hatred, and injustice and provides a vision of a renewed and redeemed earth: "A New Jerusalem arise, a new creation come alive,

"God is with us, God is for us; do not be afraid." This refrain is interwoven with comforting quotes from scripture. Do not miss this stunningly beautiful expression of assurance and hope, suitable for any

This majestic and lively anthem is a powerful reminder of the animating force of the Breath of God and is perfect for general use or for Pentecost. Marked by accompaniment fanfare and an unaccompanied

This arrangement of a modern hymn is regal and expressive. The accompaniment begins like a chorale, then the melody is introduced with an optional solo and duet. The choir joins on the refrain, and a short

Stephen Tappe, a devoted church musician for many years, has written a lovely anthem on a thoughtful text. Much imitative polyphony and sensitive modulations characterize the work.

A rousing and joyful setting of the much-beloved early American hymn, PROMISED LAND. Flute (or violin) and harp (or piano) introduce and accompany this sturdy arrangement which retains the flavor of the